When I started my career in public relations, I swore from the onset I wouldn’t do events – I didn’t sign up to be a glorified party coordinator after all.
That was a foolish oath blatantly revealing my naiveté about life (never say never) and the many layers of PR (it’s not just pitching, stupid).
The inevitable role of any good public relations practitioner is, in part, the art of creating, managing and staffing events you and your client can be proud of. This is no small task. Think of the last time you organized a birthday party for a friend or planned your own celebration. Who will cater? Who do you invite? Will they show up? Unlike your typical affair, who attends, who they talk to, what is discussed and what they do with the information after they leave is everything.
In PR we don’t throw parties to show off our savvy people skills (but they do come in handy!). We strategically assemble the right people in the ideal environment on a key date and time to accomplish specific goals that at the end of the day show a return on the investment. Most often, we want targeted media to attend and we need illustrious spokespersons that will tout key messages and toe the party line, so to speak.
Make a date
Think carefully about the date – does it coincide with a significant regional or national event that can outshine yours? Does it coincide with a holiday or other commemoration that can nicely compliment your efforts? Consider the time of day. If TV stations and print reporters are important to you (as they typically ought to be), consider their on-air schedules and run dates. Are they likely to give up their evenings for a 7pm event? Is it on a Saturday? Are there crews that will come out on the weekend? Remember that stations are severely understaffed on weekends. On the other hand, news is slow on weekends and your event could be just the ticket.
Location, location, location
Consider the size of your event and the length of the guest list. Bigger is most definitely not always better. I’d prefer a space that is overflowing with attendees than an excessively spacious one where people tend to gravitate to the side or corner with a bare center, leaving the impression there were a lot of no-shows. Outdoor locations are great for health or fitness related activities or musical events, but if you’re planning on some place where rain anytime is possible, have a Plan B firmly in place. Indoor or out, know there will be a lot of city government, union and venue restrictions; know them all well in advance so there are no surprises. Describe the event flow to the venue representative so you can negotiate what’s allowable and what isn’t every step of the way.
Oh, and develop a comprehensive, step-by-step event flow of the day’s activities – be meticulous and thoughtful about every detail. This becomes your team and the client’s bible for what to do, when, how and where in timeline form.
Talking heads
Identifying and securing the right spokespersons – from niche experts to high-profile celebrities – is a skill in itself, often underestimated. Give the discussion and analysis with your team and the client the time and energy it deserves. Know your limitations. If you’re not up to speed on celebrity causes or interests that match your client’s, bring in third party experts to help identify options and to secure the talent. This process should begin a good several months before the event. You will likely not secure your first choice, or even your third. Anyone who has dealt with managers, agents and lawyers knows that there’s a lot of blood, sweat and tears before contracts are signed and the working relationship begins.
Parting words
The best advice I can give is to do an audit before you make a significant financial investment. Ask your media friends if they would cover your event on the date and location you’re considering. Ask your own friends if they’d attend if you’re throwing a consumer event that hopes to attract the general public as well. What would they expect to see and receive? Most of all, ask your clients what their vision for success is. You’d be surprised that what they think a great event is might differ from your own.
Take a realistic look at your budget and manage your clients’ expectations. They can’t rent the ballroom at the Peninsula at a shoestring budget, or expect A-list talent to attend or play the role of spokesperson on the cheap or without clear incentive.
Got it all? Good, have a BLAST!
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